Kannetha (កន្និថា) Brown is a second-generation Khmer American artist working between Providence, Rhode Island and Phnom Penh, Cambodia. Working across photography, film, writing, and oral history, her practice explores Cambodian memory through family, community, and landscape. Rooted in cultural and spiritual traditions, she approaches image-making as a form of inheritance shaped by survival, rupture, and care. Her work has been exhibited nationally and featured in The New York Times and Rolling Stone. She holds a BFA in Photography with honors from MassArt and has received support from the Artist Community Alliance, the Interlace Grant Fund, and the Rhode Island Foundation.

Like many Cambodian Americans, Brown grew up knowing relatives only through fragmented stories and photographs carried out of Cambodia after the Khmer Rouge genocide, when images were forbidden and lost. One photograph, taken by a Khmer Rouge official of her mother’s sister, shaped her understanding of photography as both a tool of violence and a vessel for remembrance. As a Khmer kat (half Cambodian) artist and child of divorce, she centers her practice on her mother’s lineage, honoring the women who carried memory across generations. Her work emphasizes presence, spiritual intuition, and research through oral history. Using analog processes, she reconnects with ancestral images and explores how photography can preserve, reflect, and transform memory.

Email: kannethasphotos@gmail.com

Full CV available upon request.

Select Fellowships & Awards
2025 — Macoll Johnson Fellowship Finalist
2025 — RISCA Make Art Grant
2025 — Booooooom Photo Awards Longlist
2025 — RI Foundation Demers Fellowship (Phnom Penh, Cambodia)
2024 — Mayoral Citizen Citation
2024 — Interlace Grant
2023 — MassArt Godine Fellowship (New York, USA)
2023 — MassArt JET Grant
2022 — Women Photograph Grant Shortlist
2022 — MassArt Global & Intercultural Understanding Award

Solo & Two Person Exhibitions
2026 — Cambodian Krama, National Cambodian Museum (Chicago, USA)
2025 — Portraits of Asian Americans, Bryant University (Lincoln, USA)
2024 — Yeay/Yai: an ode to grandmothers, City Hall (Providence, USA)
2024 — Cambodian American Journey, AAPI Museum (Providence, USA)
2024 — RI Cambodian Community, Brown University (Providence, USA)
2023 — Two Oceans, AS220 (Providence, USA)

Select Group Exhibitions
2025 — My Grandmother is an Altar, Lesley University (Boston, USA)
2025 — Big Camera Show, Pacific Northwest College of Art (Portland, USA)
2025 — Idioms of Distress, AS220 (Providence, USA)
2025 — Proleung Khmer, Lowell Community Health Center (Lowell, USA)
2025 — Art off the Wall, Brookline Arts Center (Brookline, USA)
2025 — Big Camera Show, University of Iowa (Iowa City, USA)
2024 — When I Get Home, WaterFire Arts Center (Providence, USA)
2023 — FujiFilm Biennial, Rochester Institute of Technology (Rochester, USA)
2023 — Pictures and Progress, MassArt (Boston, USA)

Public Art
2022 — Who We Are Now, Installation and Grant (Providence, USA)

Residencies
2023 — Graduate Hotel (Providence, USA)
2023 — WaterFire Arts Center (Providence, USA)

Collections
Providence Department of Art, Culture, Tourism (Providence, USA)
MassArt JET Office (Boston, USA)

Selected Lectures & Talks
2026 — MassArt (Boston, USA)
2025 — Canadian International School (Phnom Penh, Cambodia)
2025 — Lesley University (Boston, USA)
2025 — RISD Continuing Education (Providence, USA)
2025 — Leica Store & Gallery (Boston, USA)
2024 — Bryant University (Lincoln, USA)

Select Press
2025 — New England Art News
2025 — It’s Nice That
2024 — Turn to 10 WJAR

Board Member
Cambodian Society of Rhode Island